Artificial Light: Its Influence upon Civilization — Reading Notes

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In Category - Inventions Industry
Luckiesh, Matthew, 1883-1967 Project Gutenberg 2006
Lighting -- History; Electric lighting Readers of public-domain and historical texts
Project Gutenberg digital edition en

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Words: 98,870
Reading time: 430 min
Text sections: 13
Examines artificial light's evolution from primitive flames to electric arcs, focusing on efficiency gains and societal impact. The author, a lighting scientist, blends historical narrative with technical detail, emphasizing how light production shaped civilization.
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Matches were at first cumbersome, dangerous, and expensive, but these gradually evolved into the safety matches of the present time. Although they were primarily intended for lighting fires and various kinds of lamps, billions of them are now used yearly as convenient light-sources. Smoldering hemp or other material treated with niter and other substances was an early form of match used especially for discharging firearms. The modern wax-taper is an evolutionary form of this type of light-source.

Phosphorus has long played a dominant rôle in the preparation of matches. The first attempt at making them in their modern form appears to have occurred about 1680. Small pieces of phosphorus were used in connection with small splints of wood dipped in sulphur. This type of match did not come into general use until after the beginning of the nineteenth century, owing to its danger and expense. White or yellow phosphorus is a deadly poison; therefore the progress of the phosphorus match was inhibited until the discovery of the relatively harmless form known as red phosphorus. The first commercial application of this form was made in about 1850.

An early ingenious device consisted of a piece of phosphorus contained in a tube. A piston fitted snugly into the tube, by means of which the air could be compressed and the phosphorus ignited. Sulphur matches were ignited from the burning tinder, the latter being fired by flint and steel. In 1828 another form of match consisted of a glass tube containing sulphuric acid and surrounded by a mixture of chlorate of potash and sugar. A pair of nippers was supplied with each box of these "matches," by means of which the tip of the glass tube could be broken off. This liberated the acid, which upon mixing with the other ingredients set fire to them. To this contrivance a roll of paper was attached which was ignited by the burning chemicals.

The lucifer or friction matches appeared in about 1827, but successful phosphorus matches were first made in about 1833. The so-called safety match of the present time was invented in the year 1855. To-day, the total daily output of matches reaches millions and perhaps billions. Automatic machinery is employed in preparing the splints of wood and in dipping them into molten paraffin wax and finally into the igniting composition.

During recent years the principle of the tinder-box has been revived in a device in which sparks are produced by rubbing the mineral cerite (a hydrous silicate of cerium and allied metals) against steel. These sparks ignite a gas-jet or a wick soaked in a highly inflammable liquid such as gasolene or alcohol. This device is a tinder-box of the modern scientific age.

Naturally with the advent of electricity, electrical sparks came into use for lighting gas-jets and mantles and in isolated instances they have served as light-sources. Doubtless, every one is familiar with the parlor stunt of igniting a gas-jet from the discharge from the finger-tips of static electricity accumulated by shuffling the feet across the floor-rug.

Although many of these methods and devices have been used primarily for making fire, they have served as emergency or momentary light-sources. In the outskirts of civilization some of them are employed at the present time and various modern light-sources require a method of ignition.

PRIMITIVE LIGHT-SOURCES

Many are familiar with the light of the firefly or of its larvæ, the glow-worm, but few persons realize that a vast number of insects and lower organisms are endowed with the superhuman ability of producing light by physiological processes. Apparently the chief function of these lighting-plants within the living bodies is not to provide light in the sense that the human being uses it predominantly. That is, these wonderful light-sources seem to be utilized more for signaling, for luring prey, and for protection than for strictly illuminating-purposes. Much study has been given to the production of light by animals, because the secrets will be extremely valuable to mankind. As one floats over tide-water on a balmy evening after dark and watches the pulsating spots of phosphorescent light emitted by the lowly jellyfishes, his imaginative mood formulates the question, "Why are these lowly organisms endowed with such a wonderful ability?"

Despite his highly developed mind and body and his boasted superiority, man must go forth and learn the secrets of light-production before he may emancipate himself from darkness. If man could emit light in relative proportion to his size as compared with the firefly, he would need no other torch in the coal-mine. How independent he would be in extreme darkness where his adapted eyes need only a feeble light-source! Primitive man, desiring a light-source and having no means of making fire, imprisoned the glowing insects in a perforated gourd or receptacle of clay, and thus invented the first lantern perhaps before he knew how to make fire. The fireflies of the West Indies emit a continuous glow of considerable luminous intensity and the natives have used these imprisoned insects as light-sources. Thus mankind has exhibited his superiority by adapting the facilities at hand to the growing requirements which his independent nature continuously nourished. His insistent demand for independence in turn has nourished his desire to learn nature's secrets and this desire has increased in intensity throughout the ages.

The act of imprisoning a glowing insect was in itself no greater stride along the highway of progress than the act of picking a tasty fruit from its tree. However, the crude lantern perhaps directed his primitive mind to the possibilities of artificial light. The flaming fagot from the fire was the ancestor of the oil-lamp, the candle, the lantern, and the electric flash-light. It is a matter of conjecture how much time elapsed before his feeble intellect became aware that resinous wood afforded a better light-source than woods which were less inflammable. Nevertheless, pine knots and similar resinous pieces of wood eventually were favored as torches and their use has persisted until the present time. In some instances in ancient times resin was extracted from wood and burned in vessels. This was the forerunner of the grease-and the oil-lamp. In the woods to-day the craftsman of the wilds keeps on the lookout for live trees saturated with highly inflammable ingredients.

Viewed from the present age, these smoking, flickering light-sources appear very crude; nevertheless they represent a wide gulf between their users and those primitive beings who were unacquainted with the art of making fire. Although the wood fire prevailed as a light-source throughout uncounted centuries, it was subjected to more or less improvement as civilization advanced. When the wood fire was brought indoors the day was extended and early man began to develop his crude arts. He thought and planned in the comfort and security of his cave or hut. By the firelight he devised implements and even decorated his stone surroundings with pictures which to-day reveal something of the thoughts and activities of mankind during a civilization which existed many thousand years ago.

When it was too warm to have a roaring fire upon the hearth, man devised other means for obtaining light without undue warmth. He placed glowing embers upon ledges in the walls, upon stone slabs, or even upon suspended devices of non-inflammable material. Later he split long splinters of wood from pieces selected for their straightness of grain. These burning splinters emitting a smoking, feeble light were crude but they were refinements of considerable merit. A testimonial of their satisfactoriness is their use throughout many centuries. Until very recent times the burning splinter has been in use in Scotland and in other countries, and it is probable that at present in remote districts of highly civilized countries this crude device serves the meager needs of those whose requirements have been undisturbed by the progress of civilization. Scott, in "The Legend of Montrose," describes a table scene during a feast. Behind each seat a giant Highlander stood, holding a blazing torch of bog-pine. This was also the method of lighting in the Homeric age.

Crude clay relics representing a human head, from the mouth of which the wood-splinters projected, appear to corroborate the report that the flaming splinter was sometimes held in the mouth in order that both hands of a workman would be free. Splinter-holders of many types have survived, but most of them are of the form of a crude pedestal with a notch or spring clip at its upper end. The splinter was held in this clip and burned for a time depending upon its length and the character of the wood. It was the business of certain individuals to prepare bundles of splinters, which in the later stages of civilization were sold at the market-place or from house to house. Those who have observed the frontiersman even among civilized races will be quite certain that the wood for splinters was selected and split with skill, and that the splinters were burned under conditions which would yield the most satisfactory light. It is a characteristic of those who live close to nature, and are thus limited in facilities, to acquire a surprising efficiency in their primitive activities.

An obvious step in the use of burning wood as a light-source was to place such a fire on a shelf or in a cavity in the wall. Later when metal was available, gratings or baskets were suspended from the ceiling or from brackets and glowing embers or flaming chips were placed upon them. Some of these were equipped with crude chimneys to carry away the smoke, and perhaps to increase the draft. In more recent centuries the first attempt at lighting outdoor public places was by means of metal baskets in which flaming wood emitted light. It was the duty of the watchman to keep these baskets supplied with pine knots. In early centuries street-lighting was not attempted, and no serious efforts worthy of consideration as adequate lighting were made earlier than about a century ago. As a consequence the "link-boy" came into existence. With flaming torch he would escort pedestrians to their homes on dark nights. This practice was in vogue so recently that the "link-boy" is remembered by persons still living. In England the profession appears to have existed until about 1840.

Somewhat akin to the wood-splinter, and a forerunner of the candle, was the rushlight. In burning wood man noticed that a resinous or fatty material increased the inflammability and added greatly to the amount of light emitted. It was a logical step to try to reproduce this condition by artificial means. As a consequence rushes were cut and soaked in water. They were then peeled, leaving lengths of pith partially supported by threads of the skin which were not stripped off. These sticks of pith were placed in the sun to bleach and to dry, and after they were thoroughly dry they were dipped in scalding grease, which was saved from cooking operations or was otherwise acquired for the purpose. A reed two or three feet long held in the splinter-holder would burn for about an hour. Thus it is seen that man was beginning to progress in the development of artificial light. In developing the rushlight he was laying the foundation for the invention of the candle. Pliny has mentioned the burning of reeds soaked in oil as a feature of funeral rites. Many crude forerunners of the candle were developed in various parts of the world by different races. For example, the Malays made a torch by wrapping resinous gum in palm leaves, thus devising a crude candle with the wick on the outside.

Many primitive uses of vegetable and animal fats were forerunners of the oil-lamp. In the East Indies the candleberry, which contains oily seeds, has been burned for light by the natives. In many cases burning fish and birds have served as lamps. In the Orkney Islands the carcass of a stormy petrel with a wick in its mouth has been utilized as a light-source, and in Alaska a fish in a split stick has provided a crude torch for the natives. These primitive methods of obtaining artificial light have been employed for centuries and many are in use at the present time among uncivilized tribes and even by civilized beings in the remote outskirts of civilization. Surely progress is limited where a burning fish serves as a torch, or where, at best, the light-sources are feeble, smoking, flickering, and ill-smelling!

Progress insisted upon a light-source which was free from the defects of the crude devices already described and the next developments were improvements to the extent at least that combustion was more thorough. The early oil-lamps and candles did not emit much smoke, but they were still feeble light-sources and not always without noticeable odors. Nevertheless, they marked a tremendous advance in the production of artificial light. Although they were not scientific developments in the modern sense, the early oil-lamp and the candle represented the great possibilities of utilizing knowledge rather than depending upon the raw products of nature in unmodified forms. The advent of these two light-sources in reality marked the beginning of the civilization which was destined to progress and survive.

Although such primitive light-sources as the flaming splinter and the glowing ember have survived until the present age, lamps consisting of a wick dipped into a receptacle containing animal and vegetable oils have been in use among the more advanced peoples since prehistoric times. Oil-lamps are to be seen in the earliest Roman illustrations. During the height of ancient civilization along the eastern shores of the Mediterranean Sea, elaborate lighting was effected by means of the shallow grease-or oil-lamp. It is difficult to estimate the age in which this form of light-source originated, but some lamps in existence in collections at the present time appear to have been made as early as four or five thousand years before the Christian era. It is noteworthy that such lamps did not differ materially in essential details from those in use as late as a few centuries ago.

At first the grease used was the crude fat from animals. Vegetable oils also were burned in the early lamps. The Japanese, for example, extracted oil from nuts. When the demands of civilization increased, extensive efforts were made to obtain the required fats and oils. Amphibious animals of the North and the huge mammals of the sea were slaughtered for their fat, and vegetable sources were cultivated. Later, sperm and colza were the most common oils used by the advanced races. The former is an animal oil obtained from the head cavities of the sperm-whale; the latter is a vegetable oil obtained from rape-seed. Mineral oil was introduced as an illuminant in 1853, and the modern lamp came into use.

The grease-and oil-lamps in general were of such a form that they could be carried with ease and they had flat bottoms so that they would rest securely. The simplest forms had a single wick, but in others many wicks dipped into the same receptacle. The early ones were of stone, but later, lamps were modeled from clay or terra cotta and finally from metals. They were usually covered and the wick projected through a hole in the top near the edge. Large stone vases filled with a hundred pounds of liquid fat are known to have been used in early times. As a part of the setting in the celebration of festivals the ancient nations of Asia and Africa placed along the streets bronze vases filled with liquid fat. The Esquimaux to-day use this form of lamp, in which whale-oil and seal blubber is the fuel. Incidentally, these lamps also supply the only artificial heat for their huts and igloos. The heat from these feeble light-sources and from their bodies keeps these natives of the arctics warm within the icy walls of their abodes.

Very beautiful oil-lamps of brass, bronze, and pewter evolved in such countries as Egypt. Many of these were designed for and used in religious ceremonies. The oil-lamps of China, Scotland, and other countries in later centuries were improved by the addition of a pan beneath the oil-receptacle, to catch drippings from the wick or oil which might run over during the filling. The Chinese lamps were sometimes made of bamboo, but the Scottish lamps were made of metal. A flat metal lamp, called a crusie, was one of the chief products of blacksmiths and was common in Scotland until the middle of the nineteenth century. This type of lamp was used by many nations and has been found in the catacombs of Rome. The crusie was usually suspended by an iron hook and the flow of oil to the wick could be regulated by tilting. The wick in the Scottish lamps consisted of the pith of rushes, cloth, or twisted threads. These early oil-lamps were almost always shallow vessels into which a short wick was dipped, and it was not until the latter part of the eighteenth century that other forms came into general use. The change in form was due chiefly to the introduction of scientific knowledge when mineral oil was introduced. As early as 1781 the burning of naptha obtained by distilling coal at low temperatures was first discussed, but no general applications were made until a later period. This was the beginning of many marked improvements in oil-lamps, and was in reality the birth of the modern science of light-production.

As the activities of man became more complex he met from his growing store of knowledge the increasing requirements of lighting. In consequence, many ingenious devices for lighting were evolved. For example, in England in the seventeenth century man was already burrowing into the earth for coal and of course encountered coal-gases. These inflammable gases were first known for the direful effects which they so often produced rather than for their useful qualities. Although they were known to miners long before they received scientific attention, the earliest account of them in the Transactions of the Royal Society was presented in the year 1667. A description of early gas-lighting has been reserved for a later chapter, but the foregoing is noted at this point to introduce a novel early method of lighting in coal-mines where inflammable gases were encountered. In discussing this coal-gas another early writer stated that "it will not take fire except by flame" and that "sparks do not affect it." One of the early solutions of the problem of artificial lighting under such conditions is summarized as follows:

Before the invention of Sir Humphrey Davy's Safety Lamp, this property of the gas gave rise to a variety of contrivances for affording the miners sufficient light to pursue their operations; and one of the most useful of these inventions was a mill for producing light by sparks elicited by the collision of flint and steel.

Such a stream of sparks may appear a very crude and unsatisfactory solution as judged by present standards, but it was at least an ingenious application of the facilities available at that time. Various other devices were resorted to in the coal-mines before the introduction of a safety lamp.

In discussing the candle it is necessary again to go back to an early period, for it slowly evolved in the course of many centuries. It is the natural descendant of the rushlight, the grease-lamp, and various primitive devices. Until the advent of the more scientific age of artificial lighting, the candle stood preëminent among early light-sources. It did not emit appreciable smoke or odor and it was conveniently portable and less fragile than the oil-lamp. Candles have been used throughout the Christian era and some authorities are inclined to attribute their origin to the Phoenicians. It is known that the Romans used them, especially the wax-candles, in religious ceremonies. The Phoenicians introduced them into Byzantium, but they disappeared under the Turkish rule and did not come into use again until the twelfth century.

The wax-candle was very much more expensive than the tallow-candle until the fifteenth century, when its relative cost was somewhat reduced, bringing it within the means of a greater proportion of the people. Nevertheless it has long been used, chiefly by the wealthy; the departing guest of the early Victorian inn would be likely to find an item on his bill such as this: "For a gentleman who called himself a gentleman, wax-lights, 5/." Poor men used tallow dips or went to bed in the dark. It is interesting to note the importance of the candle in the household budget of early times in various sayings. For example, "The game is not worth the candle," implies that the cost of candle-light was not ignored. In these days little attention is given to the cost of artificial light under similar conditions. If a person "burns a candle at both ends" he is wasteful and oblivious to the consequences of extravagance whether in material goods or in human energy.

Matthew Luckiesh, a director of applied science at the Nela Research Laboratory, opens his 1920 study with a clear ambition: to discuss artificial light for the general reader while avoiding intricate details. Yet the text quickly reveals a dual voice—one that recounts historical developments in a straightforward manner and another that shifts into precise technical exposition, as seen in the searchlight discussion where foot-candles and luminous intensities are given with exact figures. This alternation between accessible history and specialized data defines the book's narrative rhythm.

From Primitive Flames to Scientific Efficiency

The early chapters trace artificial light from its crude beginnings—likely oil lamps and candles—through the eighteenth-century birth of light-production science. Luckiesh marks the mid-nineteenth century as a turning point: before it, only "mere light" was available; afterward, sources became "more powerful and efficient." The language here is measured, almost clinical, as he quantifies progress: efficiency increased fifty-fold in a single century, and cost diminished correspondingly. This section establishes a baseline of historical narrative, but the pace quickens when he introduces specific milestones, such as the transition from "mere light" to "more light" and finally to "adequate light" in the early twentieth century. The reader senses a deliberate structure—a chronological march that builds toward the technological leaps described later.

Searchlights and the Language of Measurement

In the later chapters, the prose becomes denser with numbers and technical terms. Describing a 15-kilowatt searchlight, Luckiesh reports that it produced 280 foot-candles at 930 feet, equivalent to a source of nearly 250,000,000 candles. He then explains that a searchlight's range varies as the fourth root of its intensity—a statement that assumes comfort with mathematical relationships. The voice here is that of an engineer reporting field data, not a historian narrating progress. This shift is abrupt: the reader moves from broad historical arcs to the specifics of Fresnel lenses, oxyacetylene flames, and portable beacons. The change in pace mirrors the subject itself—as light sources grew more powerful, the writing grows more specialized, demanding closer attention from the reader.

Warfare and the Quiet Utility of Self-Luminous Paint

A striking contrast appears in the discussion of wartime applications. Alongside powerful searchlights and beacons, Luckiesh describes self-luminous paint used for wooden buttons, arrows, and signs at the battle front. The tone here is subdued: the paint's light is "feeble," visible only at short distances, yet valuable for silent signaling and guiding troops at night. The prose slows, focusing on practical details—buttons two or three inches in diameter, stretcher-bearers bearing luminous marks. This passage stands apart from the numerical intensity of the searchlight section, offering a quieter, more human-scale view of artificial light. The shift in pace underscores the book's range, from the spectacular to the mundane, and reminds the reader that even faint light served critical purposes.

Readers should note that the excerpts represent only a fraction of the book's scope. The full text likely includes chapters on economic influences, the esthetics of lighting, and other byways of artificial light. Luckiesh's preface promises a discussion "fairly complete in scope," but the available passages show a work that oscillates between accessible history and technical report. Those interested in the social impact of technology will find the historical sections engaging; readers seeking engineering details will appreciate the later chapters. The book rewards selective reading based on one's tolerance for numerical data.

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