Soldering, Brazing and Welding — Key Ideas to Explore
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Soldering, Brazing and Welding
EDITED BY BERNARD E. JONES Editor of “Work”
With 78 Illustrations
FUNK & WAGNALLS COMPANY NEW YORK and LONDON 1917
This handbook, which explains in detail a variety of processes common to general metalworking, has been written by a number of thoroughly practical men, by whom it was contributed in another form to “Work,” the illustrated weekly journal of handicrafts and mechanics. Its appeal is to everybody who makes any attempt at working in metals, inasmuch as at least one of the processes--soldering, brazing or welding--will be met at a very early stage in the beginner’s experience. This handbook will be found a complete workshop guide to the usual methods of soldering and brazing, and will form an excellent introduction to the modern electrical and oxy-acetylene welding processes, to do complete justice to which, however, a separate handbook would, of course, be necessary. If readers encounter difficulty in any of the matters treated in this book, they have only to write to “Work,” in whose columns (but not by post) help will be willingly afforded.
1. VARIOUS PROCESSES OF JOINING METALS 1
3. FLUXES USED IN SOFT-SOLDERING 12
4. SOFT-SOLDERING WITH THE COPPER BIT 17
5. SOFT-SOLDERING WITH BLOWPIPE OR BUNSEN BURNER 37
6. SOLDERING ALUMINIUM 57
7. WIPING JOINTS ON LEAD PIPES 64
8. HARD-SOLDERING WITH SILVER SOLDER 75
9. SOLDERING GOLD AND SILVER JEWELLERY 83
11. WELDING IRON AND STEEL UNDER THE HAMMER 108
12. MAKING BLOWPIPES 112
13. MANAGING BLOW-LAMPS 118
14. MAKING BLOW-LAMPS 122
15. ELECTRIC AND THERMIT WELDING BRIEFLY CONSIDERED 129
16. OXY-ACETYLENE WELDING 134
SOLDERING, BRAZING AND WELDING
The Various Processes of Joining Metals
Apart from the use of rivets, screws, etc., metal is commonly joined by soldering, brazing, or welding, three groups of processes that have one thing in common--the use of heat to fuse either the metals themselves or an alloy which is interposed to consolidate the joint. The word “solder” is derived through the French from a Latin word meaning “solid.”
Soldering may be “soft” or “hard.” Soft-soldering uses lead-tin alloys which are easily melted in a bunsen gas flame or with a hot iron or bit; while hard-soldering employs a silver-copper alloy, to melt which a mouth blowpipe at least is necessary. Brazing is hard-soldering with spelter (brass), and a forge or a heavy blowlamp or a powerful blowpipe must be employed to provide the heat.
Welding is a fusion process which in the past was almost entirely confined to wrought-iron and steel, these metals possessing the property of weldability to an extent unknown in the case of any other metals. The blacksmith’s process of welding is to heat the iron or steel until the surface of the metal becomes pasty, and then to bring the two pieces into intimate contact by hammering on the anvil. Of late years the welding of iron, steel, copper and some other metals has been rendered possible by the use of certain electrical and chemical methods and--most important of all--by the use of the oxy-acetylene blowpipe, the process being known as “fusion welding” or “autogenous soldering,” the word autogenous implying that the process is complete in itself and independent of the use of any extraneous substance such as solder. The thermit process, of which so much has been heard, and which is briefly dealt with later, is the fusion welding of iron and steel by means of the intense heat produced by the combustion of a special chemical compound. Perhaps the oldest of the autogenous soldering processes is “lead-burning,” in which the flame of an airo-hydrogen blowpipe is brought to bear upon the lead, the joint being fed with a strip of the same metal.
Soft-soldering is an operation that the beginner will not find nearly so difficult as hard-soldering or brazing, and although the strength of joints made by it is not nearly equal to that produced by the methods named, it fills a useful place within its scope. It is purely a surface union--that is, the solder adheres to the faces in contact in much the same manner as an adhesive sticks to metal; but with the assistance of fluxes, the contact is made so intimate that some force is necessary to break the joint. Soft-soldering is also of use where brazing would simply mean the ruin or destruction of the metals, as in the cases of lead, poor-quality brass, pewter, tin, zinc, and in tinplate and galvanised iron.
In silver-soldering and brazing, the silver or spelter that fuses to form the joint alloys itself so intimately with the copper or brass that it actually becomes part of the piece itself, and for all practical purposes cannot be distinguished from it. But soft-soldering is not always inferior to hard-soldering. Indeed, the surface nature of the soldering often constitutes its value.
The strongest joints of all are produced by fusion welding, as will be duly understood from later chapters.
A solder should melt at a slightly lower temperature than the metals which it unites, and should possess the quality of alloying with the two surfaces, thus effecting a sound and true metallic joint. Ordinary soft solders are lead-tin alloys, and the larger the proportion of lead the commoner is the solder said to be. At an extreme is plumber’s solder, consisting of 2 parts of lead to 1 part of tin, and, at the other, the best blowpipe soft solder, which contains 2 parts of tin to only 1 part of lead. In the ordinary way, a “coarse” or “common” solder is 2 parts of lead to 1 part of tin; a “fine” or “medium” solder, 1 part of lead to 1 part of tin; and a “very fine” or “best” solder, 1 part of lead to 2 parts of tin.
=Eutectic Alloys.=--Lead-tin solders are eutectic alloys--that is, they are examples of the phenomenon of a combination of two metals melting at a temperature lower than one of them would if melted separately. Thus, lead melts at about 328° C., and tin at about 232° C., yet reference to the following table, given by Mr. A. H. Hiorns, will show that the “commonest” solder mentioned fuses at 303° C., and the “best” at 175° C.
_Melting points of lead-tin alloys_
_Tin %_ _Lead %_ _Melting_ _point (C.)_ 10 90 303° 20 80 278° 30 70 255° 40 60 230° 50 50 205° 60 40 187° 63 37 175° 70 30 185° 80 20 198° 90 10 215°
=Hardness of Solders.=--According to the before-mentioned authority, Saposhniko, in 1908, determined the hardness of various lead-tin alloys by Brineli’s method, by which a steel cone is forced into the metal. The results he obtained are as follow:
Lead 100 90 80 70 60 50 40 Tin 0 10 20 30 40 50 60 Hardness 3·9 10·1 12·16 14·5 15·8 15·0 14·6
Lead 34 33 32 30 20 10 0 Tin 66 67 68 70 80 90 100 Hardness 16·7 15·4 14·6 15·8 15·2 13·3 4·1
These results, says Mr. Hiorns, show that the hardest alloy is the one with 66% (about 2 parts) of tin and 34% (about 1 part) of lead, which also is the one having the lowest melting point of all the lead-tin alloys. The results also show that tin is slightly harder than lead.
=Compositions of Soft Solders.=--As already shown, solders vary in fusibility according to their composition, and the choice should be determined by the nature of the work and the properties of the metal to be soldered. Should a solder be used of too high a melting-point, the metal will itself be fused before the solder begins to flow.
A point to be particularly observed is that the introduction of a foreign substance into the solder--for example, the addition of a little zinc to a pot of “very fine” solder--will utterly spoil it and render it unworkable. To remove zinc from solder, melt the solder in a pot, take it off the fire and stir in powdered sulphur or brimstone until the whole is of the consistency of wet sand. Replace the pot on the fire and melt, but do not stir the contents. The sulphur and zinc will rise to the surface and form into a cake. Now take the pot off the fire and carefully remove the cake without breaking by employing two pieces of hoop iron with bent ends.
It is false economy to use a rough solder for fine work on the score of cheapness, since more solder is required for a given job on account of the rough particles of solder clinging to the work; moreover, the rough appearance of the soldering may completely spoil the job.
The table on the opposite page gives the fluxes and the compositions of soft solders suited to a number of different metals.
=Making Solder Strips, Wire, Tears, etc.=--Only clean, pure tin and pure lead should be employed. The lead is first melted and then the tin added. When all is melted, place a piece of resin on the molten metal to act as a flux, and after well stirring, the solder is made into strips by pouring from a ladle. Solder should not be poured into sand. It may be poured into strips on an oiled sheet of black iron, preferably corrugated to accommodate the strips. In the absence of a corrugated iron sheet, some workers use a ladle resembling a large spoon with a hole about 1/16 in. in diameter near the end. To form the strips, get a ladle full of solder, place it on a flat iron sheet; then, tilting the ladle to allow the solder to flow over the hole, quickly draw the ladle across the sheet. A thin strip of solder should thus be formed, and the thickness of the strip may be varied by increasing or decreasing the diameter of the hole in the ladle. A button of solder usually forms at one or both ends of the strip, and this excess should be melted off the strips by just dipping the ends into the molten solder in the pot.
SOFT SOLDERS FOR VARIOUS METALS
----------------+--------------------------+-------------------------- | | _Soft Solder_ | +------+------+------------ _Metal to be | _Flux_ | | | _Other soldered_ | |_Tin_ |_Lead_| constit- | | | | uents_ ----------------+--------------------------+------+------+------------ Aluminium | stearin | _see table on p. 59_ Brass { |[1]zinc chloride, resin { | 66 | 34 | Gunmetal { | or ammonium { | 63 | 37 | Copper { | chloride { | 60 | 40 | Lead | tallow or resin | 33 | 67 | Block tin | zinc chloride | 99 | 1 | Tinplate | zinc chloride or resin | 64 | 36 | Galvanised steel| hydrochloric acid | 58 | 42 | Zinc | hydrochloric acid | 55 | 45 | Pewter | gallipoli oil | 25 | 25 | bismuth, 50 Iron and steel | ammonium chloride | 50 | 50 | Britannia metal | tallow or resin | 25 | 25 | bismuth, 50 Gold | zinc chloride | 67 | 33 | Silver | zinc chloride | 67 | 33 | Bismuth | zinc chloride | 33 | 33 | bismuth, 34 ----------------+--------------------------+------+------+------------
[Footnote 1: Zinc chloride is the ordinary “killed spirits.”]
Solder wire is very handy for small work, and can be made in the following way: Roll a sheet of stiff writing or drawing paper into a conical form, rather broad in comparison with its length; make a ring of stiff wire to hold it in, attaching a suitable handle to the ring. The point of the cone should first of all be cut off to leave an orifice of the size required. It should then be filled with molten solder, and held above a pail of cold water, and the stream of solder flowing from the cone will solidify as it runs and form the wire. If held a little higher, so that the stream of solder breaks into drops before striking the water, it will form handy elongated “tears” of metal; when it is held still higher, each drop forms a thin concave cup or shell, and each of these forms will be found to have its own peculiar uses in blowpipe work.
The method adopted for granulating tinman’s solder, which is very rarely called for, is as follows: Place a piece of wood, well greased, over a tub containing water, and by gently pouring the molten alloy from a distance in a small stream on to the greased board, the metal is broken up into a large number of very fine shots, which run off the board into the water and are immediately cooled. The fine shots are then taken from the water and gently dried.
=Making Solder from Pewter.=--This alloy is composed of variable proportions of tin and lead, the average composition being about 4 parts of lead to 1 part of tin. If old pewter is to be utilised for making solder, tin will have to be added to the molten pewter. Thus, to convert 5 lb. of average pewter to “coarse” or “common” solder, add 1 lb. of tin; to “fine” or “medium,” add 3 lb. of tin; and to “very fine” or “best,” add 7 lb. of tin. The respective proportions of lead and tin will then be 2 and 1; 1 and 1; and 1 and 2. After the proper quantity of tin has been added, mix some powdered sal-ammoniac with the molten metals, and well stir the alloy; it is then ready for pouring into the moulds.
=Making Coarse Solder from Composition Piping.=--Good composition piping is made of nearly all tin, or an alloy of tin and lead, in which the former metal is in excess, and formerly was much used by plumbers in the making of coarse solder, as the material consisted of odd pieces of small value. As, however, a great deal of composition tubing is made out of old metals of which lead, tin, antimony, arsenic, and zinc form the alloy, it is not advisable to introduce it into solder. Should it be done, the melting point of the solder would be raised, and in applying it to the lead to be joined together, would probably partly melt it. Neither do the metals named alloy in a thorough manner, but partake more of the nature of a mixture in which the constituents partly separate when making the joints, and some, especially zinc, show as small bright lumps on the surface. Joints wiped with what is usually called “poisoned metal” are difficult to make, almost invariably leak when on water service pipes, and are dirty grey, instead of bright and clean. The zinc could be removed from the mixture by the method already given.
=Combined Solder and Flux.=--This consisted of equal parts of lead and tin made into fine tubing and afterwards filled with flux having resin as a base. “Tinol” is a paste made of finely powdered solder and a special flux, and there is also “Tinol wire” having a core of flux.
A “magic” solder, sold by hawkers, consists of the above tubular flux-filled solder of such low melting point that it can be fused in the flame of a lighted match.
=Soft Solders that Melt in Boiling Water.=--The following soft solders melt at a temperature lower than that of boiling water: 1 part tin, 1 part lead, and 2 parts bismuth, melting point about 200° F.; 8 parts lead, 4 parts tin, 15 parts bismuth, and 3 parts cadmium, melting point 140° to 150° F.; 6 parts lead, 7 parts bismuth, and 1 part cadmium, melting point about 180° F. To ensure the alloys melting at the temperatures stated, the metals of which they are formed should be free from impurities, and care should be taken to prevent oxidation while making the alloys. When melting the metals, that having the highest melting point should be melted first, with a layer of resin over it, the other metals being added in the order of their melting points. The alloy should then be well stirred with a wooden stick, and poured quickly into moulds.
=Re-melting and Overheating Solder.=--After solder has been re-melted a number of times or has been overheated, its content of tin will be reduced, and the solder will become poorer and coarser. The tin melts earlier than the lead and, being the lighter of the two, floats over it, and is thus fully exposed to the air, the oxidising effect of which on heated, molten metal is extremely active. The oxidised tin forms a dross, from which most of the tin may, however, be recovered by melting it with powdered charcoal, which combines with the oxygen and frees the tin. The addition of a little fresh tin is desirable.
Fluxes Used in Soft-soldering
=Why a Flux is Required.=--The great essential to successful soldering is the chemical cleanliness of the surfaces to be united, and the proper use of a flux. Although work may be filed or scraped perfectly bright and clean, this is not the kind of cleanliness which is alone sufficient; there is always in course of formation a film of oxide present, and the duty of the flux is to dissolve this and keep any more from forming. Then, and not until then, will the molten solder “run” and spread over faces in the intimate contact necessary. If this vital precaution of cleaning and fluxing is always observed, the difficulties which many beginners experience in effective soldering will vanish.
=Variety of Fluxes.=--There are a good many fluxes employed, including tallow (largely used for lead and pewter), resin (used for lead, compo-pipe, and tinned metals), hydrochloric acid, diluted (for zinc and galvanised iron), and chloride of zinc (the well-known “killed spirit”). The last-named is the most generally used, being suitable for tinplate, tinned iron, new zinc, copper, and brass. Sal-ammoniac is also utilised, sometimes in conjunction with chloride of zinc. The small worker who does but a moderate amount of soldering will find it convenient to use a soldering paste such as “Fluxite,” which is sold in a tin, and can be kept handy and applied to the work with a sliver of wood. “Tinol” is a paste flux in combination with a solder.
=Preparing Zinc Chloride (“Killed Spirit”).=--Make this flux at home from finely snipped new sheet-zinc and _pure_ hydrochloric or muriatic acid. (This is sufficiently cheap at any working druggist’s stores, and infinitely preferable to the contaminated oil-shop quality known as “spirits of salt.”) Stand the acid outdoors in a stoneware crock, add the zinc cuttings a few at a time at first, and when the first violent ebullition moderates, put in the rest. Be sure to provide an excess of metallic zinc, observing that a quantity remains undissolved after all chemical action ceases. Leave the metal in the liquor for twelve hours (covering the crock with a pane of glass), then decant and filter into a wide-mouth glass jar of handy size. _Do not add water_ to the concentrated zinc chloride solution; dilution is sometimes recommended, but should never be done; the heavy, slightly syrupy, water-bright liquor should be used as it is. The alleged “cleaning” qualities of this chloride can scarcely be admitted to exist, and its principal function is to shield the surfaces of the work from oxidation; this it fulfils by the formation of a viscid glaze on the heated metal when the salt reaches its anhydrous (waterless) condition by evaporation. The addition of water to the flux, therefore, only uselessly prolongs the period occupied by evaporation, and wastes heat.
Always remove all trace of flux from finished work, first by soaking in water, and afterwards by washing with soda, soap, and water. Otherwise, there is the risk of the work being corroded.
Special “soldering solutions,” obtainable ready prepared, should not be used in preference to zinc chloride made as before explained or to the well-known paste fluxes.
=Applying the Flux.=--A short heavy bottle about 3 in. or 4 in. high is best for bench use as a flux container. It should be particularly noted that soldering and soldering tackle should be kept as far away from other work (and iron and steel goods and tools) as possible.
A pointed wooden stick is not a good tool for applying killed spirit, because the acid acts on the wood, which becomes unpleasant to handle, and the liquid does not leave the wood readily enough to place the right quantity on the exact spot to be soldered. A galvanised iron wire is better. Another good tool is a thin steel or iron “spit,” about 12 in. long, and a steel knitting-needle is also excellent. Should a brush be preferred, take a few hairs from a broom, place them in one end of a thin metal tube, and then flatten the end with a blow from a hammer.
A brush made by hammering the ends of a short length of cane until the fibres are like bristles is frequently used for the purpose, the handle end being soaked in molten wax before using the cane brush the first time.
Bernard E. Jones's Soldering, Brazing and Welding (1917) opens with a clear taxonomic distinction: metal joining is divided into soldering (soft and hard), brazing, and welding, each requiring progressively higher temperatures. The editor, drawing on contributions from practical men, structures the book as a ladder of heat—from the low-melting lead-tin alloys of soft soldering to the white heat of forge welding. This progression is not merely technical but pedagogical, guiding the beginner from the simplest copper-bit work to the more demanding oxy-acetylene torch. The text repeatedly emphasizes the critical role of flux, cleanliness, and controlled heating, with warnings against overheating that could melt the base metal. The book's 78 illustrations and chapter-by-chapter method reflect its origin in the weekly journal Work, where each process was presented as a discrete, achievable task.
A Ladder of Heat
The book's structure is built around escalating thermal demands. Chapter 1 establishes the hierarchy: soft soldering uses a hot iron or Bunsen flame; hard soldering requires a mouth blowpipe; brazing needs a forge or heavy blowlamp; and welding fuses the metals themselves. Each subsequent chapter adds a layer of heat. For instance, the chapter on brazing specifies that the work must be heated to a white heat, and the spelter (brass alloy) applied only after the joint is thoroughly hot. The text warns that failures 'mostly result from insufficient heat or cleaning of the parts.' This ladder of heat is reinforced by the placement of chapters: soft soldering with the copper bit comes before blowpipe soldering, and brazing precedes electric welding. The reader is thus led from the simplest, coolest methods to the most intense, mirroring the increasing skill and equipment required.
Recurring Images: Flux, Cleanliness, and Control
Three images recur throughout the excerpts: flux, cleanliness, and the precise control of heat. Flux—borax for brazing, resin or zinc chloride for soft soldering—is described as essential to prevent oxidation and allow the solder to flow. The text emphasizes that borax should be calcined (fused) beforehand, as uncalcined borax 'has a tendency to swell and fall off the work.' Cleanliness is stressed with equal force: surfaces must be 'thoroughly clean' with a file and emery-cloth before joining. The third image is that of heat control—the danger of melting the base metal when its melting point is close to that of the solder. The book repeatedly returns to the idea that the expansion and contraction of metals under working conditions must be nearly alike, or the joint will fail. These three elements—flux, cleanliness, and heat—form a conceptual triangle that underpins every process described.
Movement Between Scenes: From Workshop to Forge
The text moves between distinct physical settings, each with its own tools and hazards. The early chapters on soft soldering evoke a small workshop with a Bunsen burner or soldering iron, where the reader is advised to use a 'hot iron or bit.' Later chapters shift to the forge or brazing hearth, where the work is 'almost covered in the asbestos cubes' and the heat is intense enough to require a blowlamp with a pump. The chapter on managing blow-lamps introduces a new scene: the lamp must be filled with paraffin or benzoline, the burner heated with a torch, and pressure applied via a pump—'do not start pumping too soon.' The final chapters on electric and oxy-acetylene welding move to an industrial setting, with the text acknowledging that a separate handbook would be needed for full treatment. This movement from small-scale to industrial mirrors the book's own progression from simple to complex, and from the domestic to the professional.
The Editor's Voice and the Reader's Path
Bernard E. Jones, editor of the journal Work, shapes the book as a practical guide for the 'beginner's experience.' His preface states that the handbook 'will be found a complete workshop guide to the usual methods,' and he invites readers who encounter difficulty to write to the journal for help. This direct address to the reader is a recurring structural feature: the text assumes a hands-on learner who may have no gas laid on and might need to purchase a paraffin lamp. The editor's voice is pragmatic, offering warnings ('do not start pumping too soon') and tips (dip the spelter into borax paste before applying). The book's origin as a series of articles in Work is evident in its modular chapter structure, each focusing on a single process. This format allows the reader to dip in and out, but the overall arc—from soft soldering to welding—encourages a sequential reading that builds skill and confidence.
Readers approaching this handbook should treat it as a practical manual best read with tools in hand. The editor's assumption that the reader will encounter soldering, brazing, or welding 'at a very early stage' in metalworking suggests that the book is intended for those who learn by doing. The progression from low to high heat, and from simple to complex equipment, rewards sequential reading, but each chapter stands alone as a reference. Pay attention to the recurring emphasis on preparation—cleaning, fluxing, and preheating—as these are the steps most likely to determine success or failure. The book's value lies not in its novelty but in its systematic, experience-based guidance, distilled from the practical men who contributed to Work.
Theodore Martinez
3 weeks agoAvery Jackson
2 weeks ago-
Timothy Chavez - 3 weeks ago
While the book covers the basics, it barely scratches the surface of actual welding technique. The author spends too much time on theory and not enough on practical tips that would help a beginner avoid common mistakes. The diagrams are often confusing, and the safety advice is dangerously insufficient. I found better tutorials on YouTube for free. Disappointing. -
James West - 2 weeks ago
This book is a goldmine for anyone serious about metal joining. The author breaks down soldering, brazing, and welding into clear, actionable steps, with detailed diagrams that make complex techniques easy to grasp. I went from a complete beginner to confidently brazing copper pipes and welding simple steel frames. The troubleshooting section is particularly helpful. A must-have for DIYers and hobbyists alike! -
Ruben Brandon Green - 4 days ago
A solid introductory guide to the three core metal-joining processes. The explanations are straightforward and the illustrations are decent. However, some sections felt a bit dated, and I wished the author had included more modern equipment options. Still, for the price, it's a good starting point if you're just getting into metalworking.
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Evelyn Green
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