The British battle fleet, Vol. 2 (of 2) — Background and Themes

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Jane, Fred T. (Frederick Thomas), 1865-1916, Wyllie, W. L. (William Lionel), 1851-1931 [Illustrator] Project Gutenberg 2025 Not confirmed
Great Britain -- History, Naval; Great Britain. Royal Navy -- History; Warships -- Great Britain -- History Readers of public-domain and historical texts
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Words 60,631
Reading time 264 min
Text sections 20

For The British battle fleet, Vol. 2 (of 2) — Background and Themes, the stored edition analysis reports 60,631 words, 4 hr 24 min estimated reading time, and 20 detected text sections.

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Fred T. Jane's second volume traces the design evolution of British capital ships from the Barnaby era through the Dreadnought revolution, using technical specifications, trial data, and W. L. Wyllie's colour plates to examine how armour, armament, and speed were traded off in successive classes.
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ned by Sir E. J. Reed, which went into the British service as the _Neptune_. Save that she carried 38-ton guns instead of 25-ton, she reproduced the _Monarch_ idea almost exactly. After certain vicissitudes she entered the British service, and eventually was fitted with a couple of military masts. The points of special interest about her were that (1) owing to some error her funnels were put in sideways instead of as designed; and (2) in service in any bad weather the sea regularly washed out her wardroom; (3) she was the first ship of the British Navy to carry a bath-room. As an effective warship she never figured to any large extent.

The other three purchased ships had been destined for the Turkish Navy; and all three turned out worse than the _Neptune_. The _Hamidieh_, re-christened _Superb_, more or less duplicated the _Hercules_. She took part in the bombardment of Alexandria a little later, and it was there discovered that her guns could not train at all well in comparison with contemporary British naval ships.

Of the fighting value of the other two ships, _Pakyi-Shereef_ and _Boordyi-Zaffir_, which became the _Belleisle_ and _Orion_, the least said the better. They turned out to be nothing but improvements on a type of “coast defender,” already obsolete, diminutives of the original Reed broadside idea applied to a _Hotspur_ type hull. In place of the single 25-ton gun of the _Hotspur_, they carried four similar guns--the old 12-inch 25-ton M.L. These guns were carried in a central raised battery, from which, as in the _Hotspur_, one gun could always bear, and from which two bearing on an exact and unlikely broadside might be looked for.

No useful service was ever performed by these ships. The _Belleisle_ ended her service as a target, the _Orion_ as a hulk. They proved conclusively that the central battery idea was obsolete and so far probably did good service. In the past Sir E. J. Reed had argued, and for that matter proved, that for a given weight of armour and armament eight guns, four on either broadside, could be mounted with equal protection and economy of weight as against two pairs of guns in turrets.[3] The _Belleisle_ gave the lie to this idea, however, when it came to be applied to half the number of guns. The step from that to the same thing with more guns was made easy, and the turret idea assured, out of the _Belleisle_ type. To the _Belleisle_ and _Orion_ more than any other ships may be traced the first real appreciation of “angles in between”--the demonstration that “right ahead” or “right on the broadside” were ideal positions which no enemy would willingly assume.

The _Devastation_ and her sisters had, of course, anticipated this idea; but to the _Belleisle_, at most fighting angles only able to bring a quarter of her battery into action, may be traced most modern developments in gun disposition.

Contemporaneous with the special Barnaby ships, reference may be made to the entirely nondescript _Téméraire_. She may be described as an absolute hybrid--partly Reed, partly Barnaby, partly gun inventors of the era, and partly nothing in particular.

Details of this ship are:--

Displacement--8,540 tons.

Length (between perpendiculars)--285ft.

Armament--Four 25-ton 11-inch M.L. (two in barbettes), four 18-ton M.L.--two above water torpedo tubes.

Armour (iron)--Complete 11--8in. belt. Bulkheads 8--5in. Barbettes 10--8in. Battery 10--8in. Horse-power--7,520 = 14.5 knots.

Coal--620 tons = 2,680 miles at economical speed (nominal).

The _Téméraire_ was unique in the world’s navies in that two of her 25-ton guns were carried--one forward, one aft--on special Moncrieff mountings, an adaption for naval purposes of the “disappearing gun,” invented for forts of that era. The gun, loaded under cover, was raised to fire by hydraulic mechanism, and then recoiled to the loading position. The ship was otherwise essentially of the Reed box-battery type; the other two 25-ton guns being in a central main-deck battery, and capable of a good deal of ahead fire. The other big guns (18 tons) were cut off from the 25-ton by an armoured bulkhead, and merely had the ordinary broadside training.

Like the _Inflexible_, the _Téméraire_ had a heavy brig rig. Towards the end of her active service career this was replaced by a military rig; but all her active work was done as a brig. She was built at Chatham Dockyard, engined by Humphrys, and completed for sea in 1877.

Fred T. Jane opens this second volume with the Barnaby era, a period when the Royal Navy shifted from broadside ironclads to turret ships and barbette designs. The book’s structure moves chronologically through four chief eras—Barnaby, White, Watts, and Dreadnought—each named after the Director of Naval Construction who shaped its ships. Jane’s method is to present technical data, trial results, and design rationales, often contrasting the original intentions with the ships’ actual performance at sea. The volume also includes chapters on submarines, naval aviation, and auxiliary navies, extending the scope beyond battleships alone.

Recurring Design Trade-offs

Throughout the volume, Jane returns to a central tension: the balance between armour, armament, and speed. In the White era, for instance, he notes that the Majestic-class battleships sacrificed some armour thickness to achieve a higher freeboard and better seakeeping. Later, describing the Invincible-class battle cruisers, he observes that they “sacrificed a certain amount of armour in order to obtain a greater speed.” Jane does not merely list specifications; he evaluates the consequences of each choice. The Invincible class, he writes, “have turned out to be wonderful steamers, but considerably inferior sea-boats to the Dreadnought.” This pattern of comparing design promises with operational realities recurs across the chapters, giving the book a critical edge that goes beyond a simple catalogue of ships.

The Dreadnought as a Turning Point

The chapter on the Dreadnought era is the volume’s centrepiece. Jane credits General Cuniberti with first proposing the all-big-gun battleship, but he carefully distinguishes Cuniberti’s theoretical paper from the actual design of HMS Dreadnought. He also discusses Professor Hovgaard’s alternative concept for an armoured cruiser. Jane’s treatment of the three companion ships—Invincible, Inflexible, and Indomitable—is particularly detailed: he provides their displacement, dimensions, armament, armour, machinery, and trial speeds, noting that all three exceeded their designed horsepower. Yet he also points out a practical flaw: “there are very few positions in which they can bring more than six big guns to bear.” This blend of tabular data and critical commentary is characteristic of Jane’s approach throughout the volume.

Movement Between Eras and Technologies

Jane structures the narrative as a series of transitions, each marked by a new construction programme or a shift in strategic thinking. The chapter on the White era, for example, follows the Barnaby era and shows how the Navy moved from turret ships to the pre-dreadnought battleships of the Royal Sovereign class. Later, the Watts era introduces the pre-dreadnoughts that immediately preceded the Dreadnought. Jane also traces the cyclical nature of design: he notes that Italy’s Duilio and Dandolo were the “Dreadnought of that period,” and that later Italian ships abandoned side armour before returning to it. This sense of historical recurrence—where the same debates about armour versus speed reappear in different decades—gives the book a unifying theme beyond its chronological structure.

Illustrations and Technical Diagrams

The volume is illustrated with colour plates by W. L. Wyllie, R.A., as well as numerous plans, diagrams, and photographs. The colour plates depict scenes such as “Dreadnoughts Anchoring—1912” and “Submarines Leaving Portsmouth Harbour,” while the diagrams include “Systems of Water-Line Protection” and “Alternative Designs for the Dreadnought.” These visuals are not decorative; they are integral to Jane’s argument. The plans allow the reader to compare the layout of turrets and armour belts across different classes. The photographs of ships like Inflexible as originally completed in 1881 provide a visual record of how designs changed over time. Jane’s text frequently refers to these illustrations, making the book a coordinated work of text and image.

Readers interested in the technical evolution of warship design will find Jane’s volume a valuable primary source, written by a contemporary observer who had access to official data and personal correspondence with naval architects. The book’s strength lies in its willingness to point out where designs fell short of expectations, and in its recognition that naval architecture is a series of compromises. For those who wish to trace the lineage of the dreadnought battleship, this volume offers a detailed, era-by-era account grounded in the specifics of each class.

There’s something about the measured trade-offs in Fred T. Jane’s battle fleet pages—armour weighed against speed, function against cost—that quieted me into a different memory. It surfaced a feeling I once had reading The Story of the Pullman Car — Themes and Context, how engineering choices shape the rhythm of daily life. Both books left me thinking about the people who rode these machines, not just the machines themselves.

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