The Story of the Pullman Car — Themes and Context

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Husband, Joseph, 1885-1938 Project Gutenberg 2014 Not confirmed
Pullman Company; Pullman cars Readers of public-domain and historical texts
Project Gutenberg digital edition en

Edition facts

Words 31,119
Reading time 136 min
Text sections 5

Before opening The Story of the Pullman Car — Themes and Context, the edition data offers a quick orientation: 31,119 words, 2 hr 16 min estimated reading time, and 5 detected text sections.

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Project Gutenberg metadata also associates the work with “Pullman Company,” connecting these edition facts with the source record’s subject description.

Examines Joseph Husband's 1917 history of the Pullman Car, focusing on the author's narrative voice and descriptive choices. The note traces how Husband blends industrial reporting with anecdotal evidence, uses slang and direct quotes to animate negotiations, and structures the story around key figures like George Pullman and the town of Pullman.
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Editorial Edition Score 4.7/5

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Read the Text

They were forty-four feet long, had flat roofs like box cars, single sash windows, of which there were fourteen on a side, the glass in each sash being only a little over one foot square. The roof was only a trifle over six feet from the floor of the car. Into this car we got ten sleeping-car sections, besides a linen locker and two washrooms--one at each end.

The wood used in the interior finish was cherry. Mr. Pullman was anxious to get hickory, to stand the hard usage which it was supposed the cars would receive. I worked part of the summer of 1858, employing an assistant or two, and the cars went into service in the fall of 1858. There were no blue-prints or plans made for the remodelling of these first two sleeping-cars, and Mr. Pullman and I worked out the details and measurements as we came to them. The two cars cost Mr. Pullman not more than $2,000, or $1,000 each. They were upholstered in plush, lighted by oil lamps, heated with box stoves, and mounted on four-wheel trucks with iron wheels. There was no porter in those days; the brakeman made up the beds.

In the construction of these first sleeping cars Mr. Pullman introduced his invention of upper berth construction by means of which the upper berth might be closed in the day time and also serve as a receptacle for bedding. Other improvements and devices were worked out and tested, and from these first experiments were drawn the detailed plans from which the first cars entirely constructed by him were made. Although without technical training himself, Mr. Pullman was quick to recognize the necessity of skilled assistance to express and improve his embryonic ideas. To this end he soon established a small workshop, and employing a number of skilled mechanics set himself to the mastery of the problems which confronted him.

Another interesting personal reminiscence of the first days of the Pullman car is afforded by J. L. Barnes, who was in charge of the first car run from Bloomington to Chicago over the Chicago & Alton.

Mr. Pullman had an office on Madison Avenue just west of LaSalle Street and I boarded with a family very close to his office. I used to pass his office on my to meals, and having read in the paper that he was working on a sleeping car, one day I stopped in and made application to Mr. Pullman personally for a place as conductor. I gave him some references and called again and he said the references were all right and promised me the place. I made my first trip between Bloomington, Illinois, and Chicago on the night of September 1, 1859. I was twenty-two years old at the time. I wore no uniform and was attired in citizen's clothes. I wore a badge, that was all. One of my passengers was George M. Pullman, inventor of the sleeping car.... All the passengers were from Bloomington and there were no women on the car that night. The people of Bloomington, little reckoning that history was being made in their midst, did not come down to the station to see the Pullman car's first trip. There was no crowd, and the car, lighted by candles, moved away in solitary grandeur, if such it might be called.... I remember on the first night I had to compel the passengers to take their boots off before they got into the berths. They wanted to keep them on--seemed afraid to take them off.

The first month business was very poor. People had been in the habit of sitting up all night in the straight back seats and they did not think much of trying to sleep while traveling.... After I had made a few trips it was decided it did not pay to employ a Pullman conductor, and the car was placed in charge of the passenger conductor of the train which carried the sleeping car, and I was out of a job.

Joseph Husband opens The Story of the Pullman Car with a frontispiece portrait of George Mortimer Pullman and a dedication to him, signaling that this is a biography of an invention as much as of a man. The author’s voice is that of an industrial journalist: he acknowledges sources like Edward Hungerford’s The Modern Railroad and Horace Porter’s 1888 Scribner’s Magazine article, grounding his account in contemporary reporting. Husband’s prose is direct and occasionally colloquial—he uses the word “negotiated” in scare quotes and calls it “slang to be accepted for once in its proper meaning.” This choice reveals a writer who is comfortable with the language of business and real estate, and who expects his reader to share that comfort.

A Reporter’s Ear for Dialogue

Husband does not simply narrate events; he recreates conversations. In the excerpt about the selection of Pullman’s manufacturing town, he presents a long, detailed exchange with George Pullman. The reader hears Pullman’s “stereotyped reply” of “nothing decided” and his later “frank confession” that the reporter was “on the right track.” Husband even includes Pullman’s promise of an exclusive story in exchange for silence. This is not a dry corporate history—it is a journalist’s reconstruction, complete with reported speech and a sense of suspense. The author positions himself as a participant, noting that he “pinned down an actual sale” and “slowly picked up clue after clue.” The effect is to make the reader feel present in the negotiations, watching a real-estate drama unfold.

The Vocabulary of Enterprise

Husband’s diction reflects the world of early twentieth-century business. He writes of “land-office business,” “inducements,” and “prohibitive prices.” The word “scoop” appears in quotation marks, a nod to newspaper jargon. When describing the Pullman Company’s search for a site, he uses the language of speculation: “unverifiable reports,” “ostensible purchaser,” and “the whole real-estate market waited on the decision.” This vocabulary is not incidental—it shapes the reader’s understanding of the Pullman enterprise as a creature of its time, driven by competition among cities and the careful management of information. Husband’s choice to include the phrase “climatic conditions” as Pullman’s stated reason for choosing Chicago over St. Louis adds a layer of practical, almost mundane detail that grounds the grand narrative in everyday decision-making.

Structure as a Journey

The book’s table of contents reveals a chronological and thematic arc: from “The Birth of Railroad Transportation” to “The Evolution of the Sleeping Car” and finally “The Operation of the Pullman Car.” But within chapters, Husband often adopts a narrative structure that mimics a reporter’s investigation. The excerpt on the town of Pullman is organized as a mystery—the reporter suspects the site, gathers evidence, and confronts Pullman. This structure is not accidental; it reflects Husband’s background as a writer for magazines and newspapers. He builds tension through phrases like “for many disturbing weeks” and “by and by I discovered.” The reader is led step by step, as if following a detective. This method makes the industrial history feel immediate and personal, even when the subject is corporate real estate.

The Role of the Illustrations

The book includes numerous photographs and drawings, listed in the front matter. These images are not merely decorative; they are integral to Husband’s argument about technological progress. The captions—such as “One of the earliest types of American passenger car” and “The latest Pullman parlor car”—create a visual timeline. Husband’s text often refers to these images implicitly, as when he describes the evolution from “early type of sleeping car” to “Pullman sleeping car, latest design.” The illustrations also serve as evidence: the photograph of “J. L. Barnes, first Pullman car conductor” gives a face to the operation, while the images of the “Town of Pullman” show the physical realization of the company’s ambitions. Husband uses the visual record to reinforce his written account, making the book a hybrid of text and image that appeals to both the engineer and the general reader.

Husband’s The Story of the Pullman Car is best approached as a work of industrial journalism rather than a technical manual. The author’s choices—his use of dialogue, his business vocabulary, his narrative structuring, and his integration of illustrations—all serve to humanize a corporate story. Readers interested in the history of American railroads will find here not just a chronology of inventions, but a portrait of the men and methods that built an industry. The book rewards attention to its language and structure, which reveal as much about the early twentieth-century mindset as about the Pullman Car itself.

That rainy afternoon, The Story of the Pullman Car kept me close to its warm, anecdotal voices—negotiations snapped into life through slang and argument. Later, restless, I drifted to a shelf and found myself lingering on the odd title Electric Gas Lighting: How to Install Electric Gas Ignition Apparatus — Reading Companion, its quiet practicality a strange comfort after Pullman's grand, troubled planning.

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